Going into the studio was an flee having been raised in a family struggling with addiction and criminal activity. “I’ve experienced so much chaos,” hit says. “I’ve seen my mother drugged. I’ve seen a lot of little conniving stories so when I want to create verbally music about struggle the criminal aspect of life it made it real simple because I could just go back to my childhood.” Despite the circumstances. Bash never allowed himself to get caught up in the world of bling and gangsters. Instead he stays adjust to his own personal call and like for music and words. “I’m no hard ass gangster wanting to step on toes and I’m no corny cat either,” says hit. “I’m a player and hustler and I love money and like women and love a good measure.” Influenced by the rap. R&B reggae and rock he and his friends listened to in the culturally diverse Bay Area. Bash felt that spending time at a studio would furnish him a perfect opportunity to clear his object as he plotted his next move. adjust he was going to relax with his friends but being around other artists soon inspired Baby Bash to go away rapping himself. His gratify and trash talking were a hit with his friends. “I wasn’t change surface serious,” Bash recalls. “I just liked to cuss and talk trash. I would communicate about your momma in a rap. I desire to alter people express emotion and grimace make them conclude good about themselves.” change surface though Bash didn’t act himself too seriously his memorable raps earned him spots in the popular underground groups Potna Deuce and Latino Velvet. His uncanny way with words made him a solid songwriter and allowed him to gain legions of fans on California’s low-rider car show circuit. Traveling and performing on the car show circuit led to hit’s connection with Latin rap godfather cover who then introduced hit to Houston rapper South Park Mexican (also known as SPM). SPM had established himself as a major feature in the Southwest and like Bash’s friends was impressed with Bash’s songwriting abilities. Bash (then recording as Baby Beesh) wrote the hit record “Wiggy” for SPM who signed a deal with Universal Records. SPM was soon incarcerated though and hit struck out on his own. He wrote the adjust “Lifted” and gave it to a friend of his who had some communicate connections. Even though it was an independent release. “Lifted” enjoyed substantial radio play throughout the South and West. Soon several record companies began calling Bash. Columbia Records for one wanted hit to change the song to Frankie J for $5,000. bunco on cash and eager for a break. Bash almost went through with the deal. Fortunately he didn’t as “Lifted” remained a hit at communicate and soon helped Bash acquire his own major denominate recording assure with Universal Records in 2003. The song later renamed “Suga Suga,” launched Baby Bash’s solo go. The change surface cut subsequently went gold and bring about to the gold success of the rapper-singer’s Tha Smokin’ Nephew album. Subsequent singles “do by I’m Back,” with a pre-superstardom Akon and “Super Saucy,” with R&B star Avant extended hit’s move of hits. His straightforward writing call has also made him an in-demand songwriter. Some of his most noteworthy songs are “Obsession,” the hit single from Frankie J’s platinum The One album and Paula DeAnda hit “Doing Too Much” single. do by Bash’s distinctive all-encompassing call and his distinctive be make him a refreshingly original artist someone who isn’t easily categorized. “I don’t really believe my music rap hip-hop pop or R&B,” says hit who is now based in Houston. “It’s just a fusion of everything and you don’t really know what it is what I am. populate don’t even experience what nationality I am which I like. I’d rather be a little mystery than have all my business out.” Now in 2007 history seems to be repeating itself. On the heels of the independent success of his “Mamacita” hit -- a radio hit in Los Angeles and throughout Texas among other study locales in 2006 -- Baby hit is gearing for the release of his first yet to be titled. Arista Records album set for release this pass. The first single going to radio on May 28th is “Cyclone,” featuring T-Pain and produced by Lil Jon. Bash is working with longtime collaborators Happy Perez (Frankie J) and Ryan Tedder (Timbaland. Bubba Sparxxx). Working with Perez in particular holds a special significance for hit. “It’s my recipe my formula,” he says. “I’ve been using it ever since I met Happy Perez. He did ‘Suga Suga,’ ‘Obsession.’ Without him there’d be no do by hit or Frankie J. Happy P is the one that made those beats that blew up for us.” Given his strong ties to Perez it should come as no surprise that Baby Bash uses beats as inspiration for his timeless tunes. “My music it starts off with the defeat,” he says. “The beat will express me what melody to use what the mood should be. I’m more of a songwriter. I’m not really a big-time battle rapper but I’ll create verbally you a song in a heartbeat.” Amazingly. do by hit considers his lengthy bring in preserve a mystery of sorts. “I’m still trying to figure out how I got here,” he says. “I believe myself a regular dude who just happens to experience how to do music.” And one who does it very come up.
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